The Art of Faith

Figure 1. East wall of the Holy Trinity Serbian Orthodox Church, featuring the iconostasis and central altar.
Figure 1. East wall of the Holy Trinity Serbian Orthodox Church, featuring the iconostasis and central altar.
Figure 1. East wall of the Holy Trinity Serbian Orthodox Church, featuring the iconostasis and central altar.
Figure 2. South wall of the Holy Trinity Serbian Orthodox Church, showcasing depictions of biblical scenes and ornate windows.
Figure 2. South wall of the Holy Trinity Serbian Orthodox Church, showcasing depictions of biblical scenes and ornate windows.
Figure 2. South wall of the Holy Trinity Serbian Orthodox Church, showcasing depictions of biblical scenes and ornate windows.
Figure 3. West wall of the Holy Trinity Serbian Orthodox Church, displaying the narthex area and entrance doors. The choir loft is visible above.
Figure 3. West wall of the Holy Trinity Serbian Orthodox Church, displaying the narthex area and entrance doors. The choir loft is visible above.
Figure 3. West wall of the Holy Trinity Serbian Orthodox Church, displaying the narthex area and entrance doors. The choir loft is visible above.
Figure 4. North wall of the Holy Trinity Serbian Orthodox Church, highlighting frescoes of saints and decorative arches.
Figure 4. North wall of the Holy Trinity Serbian Orthodox Church, highlighting frescoes of saints and decorative arches.
Figure 4. North wall of the Holy Trinity Serbian Orthodox Church, highlighting frescoes of saints and decorative arches.
Figure 5. Interior view of the dome of the Holy Trinity Serbian Orthodox Church, depicting the fresco of Christ Pantocrator surrounded by angelic hosts and saints.
Figure 5. Interior view of the dome of the Holy Trinity Serbian Orthodox Church, depicting the fresco of Christ Pantocrator surrounded by angelic hosts and saints.
Figure 5. Interior view of the dome of the Holy Trinity Serbian Orthodox Church, depicting the fresco of Christ Pantocrator surrounded by angelic hosts and saints.

The Frescoes at Holy Trinity

On Sunday, June 11th, 2006, The Feast Day of the Descent of the Holy Spirit, our parish Feast Day-Slava, His Grace Bishop Longin blessed the Frescoes.

The Fresco project has brought many visitors to us, but most importantly it has enhanced our spiritual lives. Our visitors left our church with a deeper understanding of prayer life, scripture, and our relationship with God.

Over the centuries, Icons have been given various names: windows to Heaven, The Scripture in colors and Bible for the illiterate. They help us to comprehend God’s presence in our lives, always compelling us to embark on the mystical journey that the two disciples experienced on the road to Emmaus (Mark 16:12-13; Luke 24:13-35).

We invite you to explore Holy Trinity Serbian Orthodox Church through an immersive 360° view, offering a unique perspective on the beauty of our sacred space.

We always welcome visitors and inquirers.


Discover the Theology Behind Our Frescoes

Explore the profound spiritual meaning of Holy Trinity's breathtaking frescoes. Each image tells the story of salvation and invites you into deeper reflection on the teachings of the Orthodox faith.

[View The Frescoes in Detail]


The Serbian Orthodox Church Museum

The Serbian Orthodox Church Museum in Belgrade, Serbia, offers a rich glimpse into the history and cultural heritage of the Serbian Orthodox faith. Established in 1954, the museum houses a vast collection of religious artifacts, including sacred icons, manuscripts, ecclesiastical garments, and liturgical objects dating back centuries. Highlights include rare medieval iconography and ancient manuscripts that reflect the spiritual and artistic traditions of the church. Located within the Patriarchate building, the museum provides visitors with a deeper understanding of the church’s role in shaping Serbian identity and its historical significance across the Balkan region.

Epitaphios (plašenica). Late 13th or early 14th century. Byzantine liturgical cloth, Museum of the Serbian Orthodox Church, Belgrade.
Epitaphios (plašenica). Late 13th or early 14th century. Byzantine liturgical cloth, Museum of the Serbian Orthodox Church, Belgrade.
Epitaphios (plašenica). Late 13th or early 14th century. Byzantine liturgical cloth, Museum of the Serbian Orthodox Church, Belgrade.
Kir Georgije and Kozma Zograf. The Funeral of Saint Stefan Dečanski. 17th century. Fresco, Monastery of Dečani, Kosovo.
Kir Georgije and Kozma Zograf. The Funeral of Saint Stefan Dečanski. 17th century. Fresco, Monastery of Dečani, Kosovo.
Kir Georgije and Kozma Zograf. The Funeral of Saint Stefan Dečanski. 17th century. Fresco, Monastery of Dečani, Kosovo.
Miter of Maksim, the Metropolitan of Belgrade. Ca. 1450. Museum of the Serbian Orthodox Church, Belgrade. (Inv. no. MSPC 1929. Photo: Museum of the Serbian Orthodox Church, Belgrade.)
Miter of Maksim, the Metropolitan of Belgrade. Ca. 1450. Museum of the Serbian Orthodox Church, Belgrade. (Inv. no. MSPC 1929. Photo: Museum of the Serbian Orthodox Church, Belgrade.)
Miter of Maksim, the Metropolitan of Belgrade. Ca. 1450. Museum of the Serbian Orthodox Church, Belgrade. (Inv. no. MSPC 1929. Photo: Museum of the Serbian Orthodox Church, Belgrade.)

The Art of the Monasteries 

Fresco of the Crucified Christ. 12th century. Fresco, Studenica Monastery, Serbia.
Fresco of the Crucified Christ. 12th century. Fresco, Studenica Monastery, Serbia.
Fresco of the Crucified Christ. 12th century. Fresco, Studenica Monastery, Serbia.

The fresco of the Crucified Christ at Studenica Monastery, created in the late 12th century, is a masterpiece of Serbian medieval art housed within the Crkva Pokrova Presvete Bogorodice (Црква Покрова Пресвете Богородице), or the Church of the Protection of the Most Holy Mother of God. This fresco captures remarkable emotional depth, with Christ’s tranquil yet sorrowful expression and outstretched arms evoking immense suffering and divine compassion. Flanking him are the figures of the Virgin Mary and St. John, poignantly reflecting humanity's sorrow in witnessing this pivotal event. The fresco exemplifies the strong influence of Byzantine artistic traditions while highlighting Studenica's significance in the development of Serbian spiritual and cultural identity.

Founded by Stefan Nemanja, later Saint Simeon the Myrrh-Streaming, in the late 12th century, Studenica Monastery is located in central Serbia, near the town of Kraljevo, in the Raška District.  It is renowned for its stunning Byzantine-style architecture and intricate frescoes, many of which date back to the 13th century. Its white marble construction and rich interior decorations make it a true masterpiece of medieval Serbian art and architecture. As a UNESCO World Heritage Site, Studenica Monastery continues to inspire with its rich historical legacy in Serbian Orthodox Christianity. Learn more at Studenica Monastery.

Fresco of Saint Stefan Nemanja. 12th century. Fresco, Studenica Monastery, Serbia.
Fresco of Saint Stefan Nemanja. 12th century. Fresco, Studenica Monastery, Serbia.
Fresco of Saint Stefan Nemanja. 12th century. Fresco, Studenica Monastery, Serbia.

Contemporary Orthodox Art

Baptism, detail, wall-painting, St George the Great-Martyr Church in Stemnica, Greece, Wall-Painting by Stamatis Skliris, 2004
Baptism, detail, wall-painting, St George the Great-Martyr Church in Stemnica, Greece, Wall-Painting by Stamatis Skliris, 2004
Baptism, detail, wall-painting, St George the Great-Martyr Church in Stemnica, Greece, Wall-Painting by Stamatis Skliris, 2004
Nikola Sarić. 30×30 cm, From the Parables Cycle. Water colours on paper, on wood, 2014
Nikola Sarić. 30×30 cm, From the Parables Cycle. Water colours on paper, on wood, 2014
Nikola Sarić. 30×30 cm, From the Parables Cycle. Water colours on paper, on wood, 2014
"The Crucified King: Glory in Suffering’s Embrace", acrylic on gesso board, Bishop Maxim, 2024
"The Crucified King: Glory in Suffering’s Embrace", acrylic on gesso board, Bishop Maxim, 2024

Holy Trinity Serbian Orthodox Church

2100 Continental Drive, Butte, MT 59701

+1 (406) 723-7889

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